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New Visions of the American Heartland:
Malcolm Cochran, Maya Lin, Mary Lucier, and Kerry James Marshall
ABOUT THE ARTISTS
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Malcolm Cochran was born
in Pittsburgh, raised in New Hampshire, and has lived and worked in
Columbus, Ohio, since 1987. He has created large-scale objects, installations
and site-specific works since the 1970s. He employs various media choosing
for each project the materials or elements that best give the form to
the ideas or feelings he wishes to express. He had been particularly
attracted to industrial materials and the products of specialty manufacturing
companies located throughout the Midwest. These include household appliances,
cast stone and concrete forms, and enameled steel and porcelain fixtures.
Cochrans exhibitions and projects include works at Art Park, PS1,
and Socrates Sculpture Park in New York; The Wexner Center, The Contemporary
Arts Center, Cincinnati, and the Cleveland Center for Contemporary Art
in Ohio; and arts centers and museums in Pennsylvania, California, Vermont,
Finland, and the Netherlands.
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Maya Lin was born
in 1959 in Athens, Ohio, in the academic community of Ohio University.
Lins father, Henry Lin, was a ceramist who taught art and served
as dean of the College of Fine Arts at that university for 26 years. Maya
Lins exposure to her fathers utilitarian yet elegant objects,
the surrounding geography, and the earthen mounds of the Hopewell and
Adena Indians have had an indelible impact upon her. These impressions,
together with research into Japanese and Chinese traditions, have formed
Lins personal aesthetic that is rational yet sensual, abstract yet
full of content. Since the early 1980s, Lin has pursued a career as an
architect and studio artist. Most widely known for her design for the
Vietnam Veterans Memorial (1981-82) in Washington, DC, she has designed
private residences, museum facilities, and public memorials and gardens.
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Mary Lucier was born in
Bucyrus, Ohio in 1942. She has been involved with video for more than
25 years, creating pieces that range from single-channel tapes to more
recent image and sound installations that have been described as "immersive
environments." She has exhibited in galleries and museums around
the country and internationally, including one-person shows at the Museum
of Contemporary Art in Los Angeles, The Kitchen in New York, and the
University Art Museum in Berkeley, California. Her work is also included
in the permanent collections of The Museum of Modern Art, the Whitney
Museum in Amsterdam, and the ZKM Museum of Contemporary Art in Karlsruhe,
Germany.
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Kerry James Marshall was
born in Birmingham, Alabama in 1955 and raised in Los Angeles where
he received his degree in fine arts from Otis Art Institute in 1978.
He has lived, worked, and taught in Chicago since 1987. The social,
spiritual, and cultural life of the African American community have
been at the center of his imagery, which he has expressed exclusively
through painting until recently. He has been exploring the arts of film
and theater, designing sets for the film Daughters of the Dust
by Julie Dash and directing a performance event commissioned by the
Brooklyn Academy of Music in 1997. In 1998, he first experimented with
multi-media installation with his traveling exhibition, Mementos,
an elegy for the Civil Rights movement. He has received the MacArthur
Foundation Fellowship, exhibited at the Whitney Museum (NY), Documenta
X (Kassel, Germany), and created a work for the BAM Next Wave Festival.
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