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The Artists Jim Goldberg of San Francisco, CA is a pioneer in contemporary documentary photography. His work, whether portraying wealthy families, welfare-hotel residents, or nursing-home patients, combines his subjects' handwritten words and artifacts of their existence with their images. Goldberg's exhibition Raised by Wolves, documenting the lives of teenagers living on the streets of San Francisco and Hollywood, premiered at the Corcoran Gallery in 1995. For Hospice, Goldberg photographed his father who died in hospice care at home in Florida in 1993. The photographs of Nan Goldin often reveal interpersonal relationships. This New York artist is recognized as an innovator in the development of photographic narratives, groups of images combined in sequences to tell a story. Goldin's work goes beyond the often lush surface of her images, revealing facets of contemporary attitudes, stereotypes, fears, and sexual roles. She is best known for her book The Ballad of Sexual Dependency. Several of Goldin's friends died of AIDS in hospice care, which led her to photograph patients through Cabrini Hospice in New York City. Sally Mann's family in Lexington, VA, has been the primary subject of her increasingly complex and highly respected body of work. Mann's personal experience with hospice care during her father's last months led her to explore other families' experiences from patients' points of view. She interviewed patients in their homes and created metaphorical images of places and experiences they described. In May 1992, Jack Radcliffe of Baltimore, MD began a photographic document about an AIDS hospice in York, PA. His approach lies on long-term, intimate contact with the people he portrays. Ranging from the urban poor to the middle-class, Radcliffe's subjects reveal themselves with directness and clarity. He allows people's environments to express their inner nature. Kathy Vargas is a photographer, curator, and arts administrator in San Antonio, TX. She is best known for her composite hand-colored photographs that deal with issues of both loss and hope. Her work is sometimes presented in complex installations that combine objects and photographs. For this project, Vargas worked with patients and their families in hospice care in San Antonio, including the San Antonio AIDS Foundation and St. Benedicts. Documentary Film |